Content on this page requires a newer version of Adobe Flash Player.

Get Adobe Flash player
ALABAMA 3 (A3)
Almira Fawn
Ana Sia
Anti-Pop Consortium
AutoVaughn
Boozoo Bajou
Chuck Leavell
Crown City Rockers
D12
Dead Confederate
Dex Romweber Duo
DJ Logic
Fort Knox Five
Futurebirds
Gramatik
Hardello (Hardy Morris of Dead Confederate Solo)
Heavyweight Dub Champion
Herbaliser
Hey Negrita
Incognito
J-Boogie
Jackopierce
Jerry Joseph
John "JoJo" Hermann
John Popper Project
Kid Beyond
Kraddy
Lord T. & Eloise
Lubriphonic
Mark de Clive-Lowe / The Politik
Michael Fakesch
Michal Menert
MiMOSA
Pigeon John
Potluck
Pretty Lights
R.E.M.
Salvador Santana
Savoy
Sexytime
Stockholm Syndrome
The Connells
The Dexateens
The New Mastersounds
Thunderball
Tipper
Tony Joe White
Tortured Soul
Tyler James
Ursula 1000
Warren G
Westbound Train
Widespread Panic
Zoot Woman



R.E.M.




Buck Williams

ARTIST WEBSITE

Ninety Nights

MYSPACE

YOUTUBE

REMACCELERATE.COM



There are currently no tour dates scheduled for this artist.


R.E.M. mark the point when post-punk turned into alternative rock. When their first single, "Radio Free Europe," was released in 1981 it sparked a back-to-the-garage movement in the American underground. While there were a number of hardcore and punk bands in the US during the early '80s, R.E.M. brought guitar-pop back into the underground lexicon. Combining ringing guitar hooks with mumbled, cryptic lyrics and a D.I.Y. aesthetic borrowed from post-punk, the band simultaneously sounded traditional and modern. Though there were no overt innovations in their music. R.E.M. had an identity and sense of purpose that transformed the American underground. Throughout the '80s, they worked relentlessly, releasing records every year and touring constantly, playing both theaters and backwoods dives. Along the way, they inspired countless bands, from the legions of jangle-pop groups in the mid-'80s to scores of alternative-pop groups in the '90s, who admired their slow climb to stardom. It did take R.E.M. several years to break into the top of the charts, but they had a cult following from the release of their debut EP, Chronic Town, in 1982. Chronic Town established the haunting folk and garage rock that became the band's signature sound, and over the next five years, they continued to expand their music with a series of critically-acclaimed albums. By the late '80s, the group's fanbase had grown large enough to guarantee strong sales, but the Top 10 success in 1987 of Document and "The One I Love" was unexpected, especially since R.E.M. had only altered its sound slightly. Following Document, R.E.M. slowly became one of the world's most popular bands. After an exhaustive international tour supporting 1988's Green, the band retired from touring for six years and retreated into the studio to produce their most popular records, Out of Time (1991) and Automatic for the People (1992). By the time they returned to performing with the Monster tour in 1995, the band had been acknowledged by critics and musicians as one of the forefathers of the thriving alternative rock movement, and they were rewarded with the most lucrative tour of their career. Toward the late '90s, R.E.M. was an institution, as its influence was felt in new generations of bands.

Copyright © 2010 All Rights Reserved The Progressive Global Agency / Double Down Productions